1 edition of Gilbert and Gubars The madwoman in the attic after thirty years found in the catalog.
|Statement||University of Missouri Press|
|Publishers||University of Missouri Press|
|The Physical Object|
|Pagination||xvi, 64 p. :|
|Number of Pages||80|
nodata File Size: 4MB.
The essays are as diverse as they are provocative. Project MUSE Mission Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide.
5 Litteraturhistoria: amerikansk: 1900-talet Klassifikation PR115 LCC 820. It includes work by established and up-and-coming scholars, as well as retrospective accounts of the ways in which The Madwoman in the Attic has influenced teaching, feminist activism, and the lives of women in academia. : Madwoman in the attic. These essays constitute substantive interventions into established debates and ongoing questions among scholars concerned with defining third-wave feminism, showing that, as a feminist symbol, the raging madwoman still has the power to disrupt conventional ideas about gender, myth, sexuality, and the literary imagination.
Gubar, Susan, 1944-: Madwoman in the attic. And although each essay opens Madwoman to a different page, all provocatively circle back—with admiration and respect, objections and challenges, questions and arguments—to Gilbert and Gubar's groundbreaking work.
Federico ; foreword by Sandra M. Forged from a partnership between a university press and a library, Project MUSE is a trusted part of the academic and scholarly community it serves. LCSH Women and literature -- Great Britain -- History -- 19th century. The authors take as their subjects specific nineteenth- and twentieth-century women writers, the state of feminist theory and pedagogy, genre studies, film, race, and postcolonialism, with approaches ranging from ecofeminism to psychoanalysis.
Susan Fraiman describes how Madwoman opened the canon, politicized critical practice, and challenged compulsory heterosexuality, while Marlene Tromp tells how it elegantly embodied many concerns central to second-wave feminism. When it was published in 1979, Sandra M.
The essays are as diverse as they are provocative.
Federico ; foreword by Sandra M.
Forged from a partnership between a university press and a library, Project MUSE is a trusted part of the academic and scholarly community it serves.